| Assumption of the Virgin Mary | |
|---|---|
| Greek: Η Μετάσταση της Θεοτόκου, Italian: Assunzione di Maria | |
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| Artist | Nikolaos Doxaras |
| Year | 1725-1775 |
| Medium | oil on canvas |
| Movement | Heptanese School |
| Subject | Assumption of the Virgin Mary |
| Dimensions | 45 cm × 34 cm (17.7 in × 13.3 in) |
| Location | National Gallery of Athens, Corfu Annex, Corfu, Greece |
| Owner | National Gallery of Athens |
| Website | Official Website |
Assumption of Mary was a painting created by Greek painter Nikolaos Doxaras. He was the son of famous Greek painter Panagiotis Doxaras. Nikolaos flourished on the Ionian Islands. He was a representative of the Heptanese School. He traveled all of the Ionian Islands painting. He spent close to a decade in Venice. He had a relationship with Johann Schulenberg. Doxaras stayed with him from 1730 to 1738 at the Palazzo Loredan. He was his confidant at the Schulenburg Art Gallery. He also painted for Schulenburg. He left Venice and continued painting all over the Ionian islands until his death. He was active from 1725 to 1775. Five of his paintings survived. Both Nikolaos and his father attempted to popularize oil painting.[1]
There was an overwhelming demand by churches and patrons for the traditional Greek style paintings that overshadowed oil paintings few Greek artists such as El Greco were able to successfully maintain a workshop with an overwhelming output. The integration of Flemish engravings by artists of the Heptanese School made it even more difficult for oil painters and the style was not popular. Nicholas Doxaras and his father Panagiotis Doxaras attempted to integrate the new style but they were unsuccessful. Their contemporaries Emmanuel Tzanes and Theodore Poulakis each maintain a catalog of over 130 paintings. They painted in the Greek style popular at that period in time.[2]
The Assumption of Mary is one of the most popular themes in Greek and Italian art from the inception of the new religion. The event is the death of the Virgin Mary. The theme was popular in Greek Italian Byzantine art. The theme also dominated Italian Renaissance painting. Precursors to Doxara's work included Titian, Tintoretto, and El Greco. The paintings usually feature the Virgin in the heavens looking down at her followers and witnesses. The work of art belongs to the National Gallery of Athens. It is currently on display at the Annex of the National Gallery in Corfu on the Ionian Islands.[3][4]
- ^ Drakopoulou, Evgenia (2010). Έλληνες Ζωγράφοι μετά την Άλωση (1450–1830). Τόμος 3: Αβέρκιος - Ιωσήφ [Greek Painters after the Fall of Constantinople (1450–1830). Volume 3: Averkios - Joseph]. Athens, Greece: Center for Modern Greek Studies, National Research Foundation. pp. 270–272. ISBN 978-960-7916-94-5.
- ^ Hatzidakis, Manolis; Drakopoulou, Evgenia (1997). Έλληνες Ζωγράφοι μετά την Άλωση (1450–1830). Τόμος 2: Καβαλλάρος – Ψαθόπουλος [Greek Painters after the Fall of Constantinople (1450–1830). Volume 2: Kavallaros – Psathopoulos]. Athens: Center for Modern Greek Studies, National Research Foundation. pp. 304–317. hdl:10442/14088. ISBN 960-7916-00-X.
- ^ Marina Papasotiriou (June 9, 2022). "Assumption of Mary". National Gallery of Athens. Retrieved June 9, 2022.
- ^ Komini-Dialeti, Dora (1997). Λεξικό Ελλήνων Καλλιτεχνών Ζωγράφοι, Γλύπτες, Χαράκτες, 16ος-20ός Αιώνας [Dictionary of Greek artists Painters, Sculptors, Engravers, 16th-20th century]. Athens, Greece: Melissa. ISBN 9789602040355.