Back إدوارد توماس دانييل Arabic ادوارد توماس دانييل ARZ ادوارد توماس دانیل Persian Edward Thomas Daniell French אדוארד תומאס דניאל HE Edward Thomas Daniell Polish Едвард Томас Даніелл Ukrainian
Edward Thomas Daniell | |
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| Born | 6 June 1804 London, United Kingdom |
| Died | 24 September 1842 (aged 38) |
| Nationality | English |
| Education | Norwich Grammar School; Oxford University |
| Known for | Landscape painting; etching |
| Notable work | etchings of Norfolk (e.g., Flordon Bridge, Whitlingham Lane by Trowse) and watercolours of the Middle East |
| Movement | Norwich School of painters |
Edward Thomas Daniell (6 June 1804 – 24 September 1842) was an English artist known for his etchings and the landscape paintings he made during an expedition to the Middle East, including Lycia, part of modern-day Turkey. He is associated with the Norwich School of painters, a group of artists connected by location and personal and professional relationships, who were mainly inspired by the Norfolk countryside.
Born in London to wealthy parents, Daniell grew up and was educated in Norwich, where he was taught art by John Crome and Joseph Stannard. After graduating in classics at Balliol College, Oxford, in 1828, he was ordained as a curate at Banham in 1832 and appointed to a curacy at St. Mark's Church, London, in 1834. He became a patron of the arts, and an influential friend of the artist John Linnell. In 1840, after resigning his curacy and leaving England for the Middle East, he travelled to Egypt, Palestine and Syria, and joined the explorer Sir Charles Fellows's archaeological expedition in Lycia (now in Turkey) as an illustrator. He contracted malaria there and reached Adalia (now known as Antalya) intending to recuperate, but died from a second attack of the disease.
Daniell normally used a small number of colours for his watercolour paintings, mainly sepia, ultramarine, brown pink and gamboge. The distinctive style of his watercolours was influenced in part by Crome, J. M. W. Turner and John Sell Cotman. As an etcher he was unsurpassed by the other Norwich artists in the use of drypoint,[3] and he anticipated the modern revival of etching which began in the 1850s. His prints were made by his friend and neighbour Henry Ninham, whose technique he influenced. His paintings of the Near East may have been made with future works in mind.
- ^ Beecheno 1889, p. 13.
- ^ "Portrait of the Rev Edward Thomas Daniell". The British Museum. 2019. Retrieved 4 May 2019.
- ^ Hardie 1966, p. 69.
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