Fahrenheit 11/9

Fahrenheit 11/9
Donald Trump golfing is transposed on the White House lawn with the White House having an eruption of flame from its roof.
Theatrical release poster
Directed byMichael Moore
Written byMichael Moore
Produced by
Narrated byMichael Moore
Cinematography
Edited by
  • Doug Abel
  • Pablo Proenza
Production
company
Midwestern Films
Distributed byBriarcliff Entertainment
Release dates
  • September 6, 2018 (2018-09-06) (TIFF)
  • September 21, 2018 (2018-09-21) (United States)
Running time
120 minutes[1]
CountryUnited States
LanguageEnglish
Budget$4–5 million[2]
Box office$6.7 million[3]

Fahrenheit 11/9 is a 2018 American documentary by filmmaker Michael Moore about the 2016 United States presidential election and presidency of Donald Trump up to the time of the film's release. The film is a follow-up to Moore's Fahrenheit 9/11 (2004), a documentary about the presidency of George W. Bush. The film had its world premiere on September 6, 2018, at the 2018 Toronto International Film Festival, and was released in the United States on September 21, 2018, by Briarcliff Entertainment.

Despite grossing $6.7 million worldwide, one of the lowest totals of Moore's career, Fahrenheit 11/9 received generally positive reviews from critics.[4] The film received a nomination for Best Documentary Screenplay from the Writers Guild of America. Several of the people depicted in the film (Donald and Melania Trump and Kellyanne Conway) collectively received four nominations at the 39th Golden Raspberry Awards and won three, including Worst Actor for Donald Trump.

  1. ^ "Fahrenheit 11/9". tiff.net. Toronto International Film Festival. Retrieved September 3, 2018.
  2. ^ Cite error: The named reference kilday20180905 was invoked but never defined (see the help page).
  3. ^ "Fahrenheit 11/9 (2018)". The Numbers. Retrieved December 11, 2018.
  4. ^ Giles, Jeff (September 20, 2018). "The House with a Clock in Its Walls Ticks Along Tolerably". Rotten Tomatoes. Retrieved September 5, 2019. Like pretty much any politically fueled picture in 2018, this one will probably end up preaching to a specific choir, but for anyone who's enjoyed Moore's filmography, this looks like another worthy chapter.

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