Studio pottery

Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves.^[1] Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.

In Britain since the 1980s,^[2] there has been a distinct trend away from functional pottery, for example, the work of artist Grayson Perry. Some studio potters now prefer to call themselves ceramic artists, ceramists or simply artists. Studio pottery is represented by potters all over the world and has strong roots in Britain. Art pottery is a related term, used by many potteries from about the 1870s onwards, in Britain and America; it tends to cover larger workshops, where there is a designer supervising the production of skilled workers who may have input into the pieces made. The heyday of British and American art pottery was about 1880 to 1940.

Since the second half of the 20th century ceramics has become more highly valued in the art world. There are now several large exhibitions worldwide, including Collect and Origin (formerly the Chelsea crafts fair) in London, International Sculpture Objects & Functional Art Fair (SOFA) Chicago and International Sculpture Objects & Functional Art Fair (SOFA) New York City which includes ceramics as an art form. Ceramics have realized high prices, reaching several thousands of pounds for some pieces, in auctions houses such as Bonhams and Sotheby's.