Back نيون جينيسيس إيفانجيليون (أنمي) Arabic نيون جينيسيس ايفانجيليون ARZ Neon Genesis Evangelion AST Евангеліён Byelorussian Дабравесьце новага стагодзьдзя BE-X-OLD Neon Genesis Evangelion Catalan Neon Genesis Evangelion CEB Neon Genesis Evangelion Czech Çĕнĕ ăру Евангелионĕ CV Neon Genesis Evangelion (TV) Welsh
| Shin Seiki Evangelion | |
|---|---|
 Glavni likovi serije | |
| 新世紀エヴァンゲリオン (Shin Seiki Evangerion) | |
| Žanr | Anime, ZF, drama, akcija, triler, filozofski |
| Manga | |
| Shin Seiki Evangelion | |
| Autor | Yoshiyuki Sadamoto |
| Izdavač | Kadokawa Shoten |
| Izdavač u Engleskoj | Chuang Yi Publishing Viz Media |
| Magazin | Shonen Ace Young Ace |
| Datum izlaska | Veljača 1995. – studeni 2014. |
| Brojevi | 14 |
| TV serija | |
| Shin Seiki Evangelion | |
| Redatelj | Hideaki Anno |
| Scenarist | Hideaki Anno, Akio Satsukawa, Mitsuo Iso, Shinji Higuchi, Yoji Enokido |
| Skladatelj | Akira Okazawa |
| Studio | Gainax |
| Mreža | TV Tokyo, Animax |
| Emitiranje | 4. listopada 1995. – 27. ožujka 1996. |
| Epizode | 26 |
Shin Seiki Evangelion slavna je japanska ZF anime serija iz 1995. Redatelj, autor i glavni pisac scenarija je Hideaki Anno, a producirao ga je studio Gainax. To je apokaliptična serija s Judejsko-kršćanskim simbolima iz Knjige Postanka i biblijskih apokrifnih spisa[1]: ogromna demonska bića, zvana "Anđeli", napadaju zemlju 2015. godine a troje tinejdžera se bore s njima u ogromnim robotima.
Serija spada u japanski žanr mecha, tj. animirane filmove o divovskim robotima. Ima 26 epizoda, 2 posebna anime filma (Death & Rebirth i The End of Evangelion) i istoimenu manga adaptaciju Yoshiyukija Sadamota. Naslov ima i latinsku inačicu, Neon Genesis Evangelion, što znači "Evanđelje novog postanka". Kasnije epizode skreću pozornost na psihoanalizu likova koji iskazuju razne emotivne probleme i naznake mentalne bolesti.,[2] priroda egzistencije i stvarnosti se preispituju zbog čega bi se serija mogla karakterizirati kao "postmoderna fantazija".[3] Kroz zaplet u kojem tajna organizacija kani pokrenuti "proces instrumentalizacije" kako bi uzvisila čovječanstvo na novu razinu postojanja, priča se dotiče tema transhumanizma i eugenike.
Zadnje dvije epizode (25 i 26) izazvale su kontroverze zbog otvorenog kraja koji je mnogo toga ostavio otvorenim, no Anno je branio svoju umjetničku slobodu te izjavio da mu se kraj svidio.[4]
U 2005., TV Asahi je objavio dvije liste "100 najboljih animiranih ostvarenja". "Evangelion" se našao i na jednoj i na drugoj: na listi koja je sastavljena prema anketi provedenoj diljem nacije, našao se na 22. mjestu[5] a na listi sastavljenoj po online anketi Japanaca, završio je na visokom 2. mjestu.[6] U časopisu Animage osvojio je prvo mjesto u kategoriji "najbolji anime godine" dva puta za redom: prvi put 1996. s 2544 glasa[7] a drugi put 1997. s 2853 glasa.[8] 1997., čak se osam epizoda iz serije našlo na listi 20 najboljih anime epizoda godine[8] dok su protagonisti Shinji Ikari i Kaoru Nagisa proglašeni prvim i drugim najboljim muškim anime likom godine, a Rei Ayanami, Asuka Langley i Misato Katsuragi prvim najboljim, odnosno četvrtim i desetim najboljim ženskim anime likom godine.[8]
- ↑ "Constructing a mythic universe that is almost Blakean both in its complex and mythic vision and in its dizzying array of Christian and Judaic religious symbols, the series questions the construction of human identity, not only in relation to the technology that the series' plot and imagery insistently privilege, but also in relation to the nature of reality itself." pg 424 of Napier 2002
- ↑ "I didn't have any interest in studying human psychology in the past. I only took a course about it in University, but I suppose I always had something in my mind to analyse human psyche. I thought I wasn't interested in humans very much, but then when I started talking about myself, I needed words to explain. So I started reading books on psychology. From Episode #16, EVANGELION'S story went into the direction to ask just what the human mind is all about inside. I wrote about myself. My friend lent me a book on human psychological illness and this gave me a shock, as if I finally found what I needed to say." Anno, Protoculture Addicts 43
- ↑ "The narratives, the characters, and the mise en scene of these works evoke the disturbing postmodern fantasy...Sconce suggests that, "where there were once whole human subjects, there are now only fragmented and decentered subjectivities, metaphors of 'simulation and 'schizophrenia'" and he finds that, "in postmodernism's fascination with the evacuation of the reference and an ungrounded play of signification and surface, we can see another vision of beings who, like ghosts and psychotics, are no longer anchored in reality instead wander through a hallucinatory world where the material real is forever lost"". (Sconce quote from Jeffrey Sconce's Haunted Media). pg 419 of Napier 2002
- ↑ "Lately due to the ending of episodes #25 and #26, some people started watching Evangelion. They were not animé fans. In fact many of them are females and they tell me that they really enjoyed episode #25, objectively. Most animé fans are furious. I understand their anger. I can't help laughing when hard-core animé fans say that we did a very lousy job, with intentional negligence. No we didn't. No staff members did a lousy job. In fact every member at Gainax gave more energy than anybody can imagine. I feel sad that those fans couldn't see our efforts. Personally I think the original TV ending we showed ended up beautifully." Hideaki Anno, Protoculture Addicts 43
- ↑ TV Asahi Top 100 Anime - Part 2Animenewsnetwork
- ↑ Japan's Favorite TV AnimeAnimenewsnetwork
- ↑ 18th Annual Anime Grand Prix (May 1996). Animage. Svibanj 1996. Pristupljeno 14. srpnja 2011.
- ↑ a b c 19th Annual Anime Grand Prix (June 1997). Animage. Lipanj 1997. Pristupljeno 12. siječnja 2012.