Back Микеланџьело Abkhazian Michelangelo Afrikaans Michelangelo ALS Микеланджело ALT ማይክል አንጄሎ ቡናሮቲ Amharic Michelangelo Buonarroti AN ميكيلانجيلو Arabic ܡܝܟܠܐܢܓܠܘ ARC مايكلانجلو ARZ মাইকেলেঞ্জেল' Assamese
Michelangelo | |
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.jpg) Portrait by Daniele da Volterra, c. 1545 | |
| Born | Michelangelo di Lodovico Buonarroti Simoni 6 March 1475 |
| Died | 18 February 1564 (aged 88) |
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Michelangelo di Lodovico Buonarroti Simoni (Italian: [mikeˈlandʒelo di lodoˈviːko ˌbwɔnarˈrɔːti siˈmoːni]; 6 March 1475 – 18 February 1564), known mononymously as Michelangelo (English: /ˌmaɪkəlˈændʒəloʊ, ˌmɪk-/[1]), was an Italian sculptor, painter, architect,[2] and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci.[3] Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era.[4][5]
Michelangelo achieved fame early. Two of his best-known works, the Pietà and David, were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes in the history of Western art: the scenes from Genesis on the ceiling of the Sistine Chapel in Rome, and The Last Judgment on its altar wall. His design of the Laurentian Library pioneered Mannerist architecture.[6] At the age of 71, he succeeded Antonio da Sangallo the Younger as the architect of St. Peter's Basilica. Michelangelo transformed the plan so that the Western end was finished to his design, as was the dome, with some modification, after his death.
Michelangelo was the first Western artist whose biography was published while he was alive.[3] Three biographies were published during his lifetime. One of them, by Giorgio Vasari, proposed that Michelangelo's work transcended that of any artist living or dead, and was "supreme in not one art alone but in all three."[7]
In his lifetime, Michelangelo was often called Il Divino ("the divine one").[8] His contemporaries admired his terribilità—his ability to instill a sense of awe in viewers of his art. Attempts by subsequent artists to imitate[9] the expressive physicality of Michelangelo's style contributed to the rise of Mannerism, a short-lived movement in Western art between the High Renaissance and the Baroque.
- ^ Wells, John (3 April 2008). Longman Pronunciation Dictionary (3rd ed.). Pearson Longman. ISBN 978-1-4058-8118-0.
- ^ Cite error: The named reference
Marinazzo-2022awas invoked but never defined (see the help page). - ^ a b Michelangelo at the Encyclopædia Britannica
- ^ Symonds, John (9 January 2019). The Life of Michelangelo. BookRix. ISBN 9783736804630 – via Google Books.
- ^ Vasari, Giorgio (14 August 2008). The Lives of the Artists. Oxford University Press. ISBN 9780199537198 – via Google Books.
- ^ Hughes, A., & Elam, C. (2003). "Michelangelo". Oxford Art Online. Retrieved 14 April 2018, from Oxford Art Online
- ^ Smithers, Tamara. 2016. Michelangelo in the New Millennium: Conversations about Artistic Practice, Patronage and Christianity. Boston: Brill. p. vii. ISBN 978-90-04-31362-0.
- ^ Emison, Patricia. A (2004). Creating the "Divine Artist": from Dante to Michelangelo. Brill. ISBN 978-90-04-13709-7.
- ^ Art and Illusion, E. H. Gombrich, ISBN 978-0-691-07000-1