Cinema of Italy

Cinema of Italy
A collage of notable Italian actors and filmmakers[a]
No. of screens3,217 (2013)[1]
 • Per capita5.9 per 100,000 (2013)[1]
Main distributorsMedusa Film (16.7%)
Warner Bros. (13.8%)
20th Century Studios (13.7%)[2]
Produced feature films (2018)[3]
Total273
Fictional180
Documentary93
Number of admissions (2018)[3]
Total85,900,000
 • Per capita1.50 (2012)[4]
National films19,900,000 (23.17%)
Gross box office (2018)[3]
Total€555 million
National films€128 million (23.03%)

The cinema of Italy (Italian: cinema italiano, pronounced [ˈtʃiːnema itaˈljaːno]) comprises the films made within Italy or by Italian directors. Italy is one of the birthplaces of art cinema and the stylistic aspect of film has been one of the most important factors in the history of Italian film.[5][6] As of 2018, Italian films have won 14 Academy Awards for Best Foreign Language Film (the most of any country) as well as 12 Palmes d'Or, one Academy Award for Best Picture and many Golden Lions and Golden Bears.

The history of Italian cinema began a few months after the Lumière brothers began motion picture exhibitions.[7][8] The first Italian director is considered to be Vittorio Calcina, a collaborator of the Lumière Brothers, who filmed Pope Leo XIII in 1896. The first films were made in the main cities of the Italian peninsula.[7][8] These brief experiments immediately met the curiosity of the general public, encouraging operators to produce new films and laying the foundation for a true film industry.[7][8] In the early 20th century, silent cinema developed, bringing numerous Italian stars to the forefront.[9] In the early 1900s, epic films such as Otello (1906), The Last Days of Pompeii (1908), L'Inferno (1911), Quo Vadis (1913), and Cabiria (1914), were made as adaptations of books or stage plays. The oldest European avant-garde cinema movement, Italian futurism, emerged in the late 1910s.[10] After a period of decline in the 1920s, the Italian film industry was revitalized in the 1930s with the arrival of sound film. A popular Italian genre during this period, the Telefoni Bianchi, consisted of comedies with glamorous backgrounds. Calligrafismo was in sharp contrast to Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity and deals mainly with contemporary literary material. While Italy's Fascist government provided financial support for the nation's film industry, notably the construction of the Cinecittà studios (the largest film studio in Europe), it also engaged in censorship, and thus many Italian films produced in the late 1930s were propaganda films.

The end of World War II saw the birth of the influential Italian neorealist movement, which reached vast audiences throughout the post-war period,[11] and which launched the directorial careers of Luchino Visconti, Roberto Rossellini, and Vittorio De Sica. Neorealism declined in the late 1950s in favour of lighter films, such as those of the Commedia all'italiana genre and directors like Federico Fellini and Michelangelo Antonioni. Actresses such as Sophia Loren, Giulietta Masina, Claudia Cardinale, Monica Vitti, Anna Magnani and Gina Lollobrigida achieved international stardom during this period.[12] From the mid-1950s to the end of the 1970s, Commedia all'italiana and many other genres arose due to auteur cinema, and Italian cinema reached a position of great prestige both nationally and abroad.[13][14] The Spaghetti Western achieved popularity in the mid-1960s, peaking with Sergio Leone's Dollars Trilogy, which featured enigmatic scores by composer Ennio Morricone, which have become icons of the Western genre. Italian thrillers, or giallo, produced by directors such as Mario Bava and Dario Argento in the 1960s and 1970s, influenced the horror genre worldwide. During the 1980s and 1990s, directors such as Ermanno Olmi, Bernardo Bertolucci, Giuseppe Tornatore, Gabriele Salvatores and Roberto Benigni brought critical acclaim back to Italian cinema.[12]

The Venice Film Festival is the oldest film festival in the world, held annually since 1932 and awarding the Golden Lion.[15] In 2008 the Venice Days ("Giornate degli Autori"), a section held in parallel to the Venice Film Festival, has produced in collaboration with Cinecittà studios and the Ministry of Cultural Heritage a list of a 100 films that have changed the collective memory of the country between 1942 and 1978: the "100 Italian films to be saved".


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  1. ^ a b "Table 8: Cinema Infrastructure – Capacity". UNESCO Institute for Statistics. Archived from the original on 5 November 2013. Retrieved 5 November 2013.
  2. ^ "Table 6: Share of Top 3 distributors (Excel)". UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 5 November 2013.
  3. ^ a b c "Tutti i numeri del cinema italiano 2018" (PDF). ANICA.
  4. ^ "Country Profiles". Europa Cinemas. Archived from the original on 9 November 2013. Retrieved 9 November 2013.
  5. ^ Bondanella, Peter (2009). A History of Italian Cinema. A&C Black. ISBN 9781441160690.
  6. ^ Luzzi, Joseph (30 March 2016). A Cinema of Poetry: Aesthetics of the Italian Art Film. JHU Press. ISBN 9781421419848.
  7. ^ a b c "L'œuvre cinématographique des frères Lumière – Pays: Italie" (in French). Archived from the original on 20 March 2018. Retrieved 1 January 2022.
  8. ^ a b c "Il Cinema Ritrovato – Italia 1896 – Grand Tour Italiano" (in Italian). Archived from the original on 21 March 2018. Retrieved 1 January 2022.
  9. ^ Moliterno, Gino (2009). The A to Z of Italian Cinema (in Italian). Scarecrow Press. p. 243. ISBN 978-0-8108-7059-8.
  10. ^ "Il cinema delle avanguardie" (in Italian). 30 September 2017. Retrieved 13 November 2022.
  11. ^ Bruni, David (2013). Roberto Rossellini: Roma città aperta (in Italian). Lindau. ISBN 978-88-6708-221-6.
  12. ^ a b Katz, Ephraim (2001), "Italy", The Film Encyclopedia, HarperResource, pp. 682–685, ISBN 978-0060742140
  13. ^ Silvia Bizio; Claudia Laffranchi (2002). Gli italiani di Hollywood: il cinema italiano agli Academy Awards (in Italian). Gremese Editore. ISBN 978-88-8440-177-9.
  14. ^ Chiello, Alessandro (2014). C'eravamo tanto amati. I capolavori e i protagonisti del cinema italiano (in Italian). Alessandro Chiello. ISBN 978-605-03-2773-1.
  15. ^ "La Biennale di Venezia – The origin". 7 April 2017. Retrieved 9 September 2018.

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