![]() A five-string banjo | |
String instrument | |
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Hornbostel–Sachs classification | 321.312 (resonator) or 321.314 (open-backed) (Composite chordophone with a neck that passes diametrically through the resonator, sounded by plectrum, finger picks, or the bare fingers) |
Developed | 18th century, United States |
Sound sample | |
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and in modern forms is usually made of plastic, where early membranes were made of animal skin.
Early forms of the instrument were fashioned by African Americans and had African antecedents.[1][2] In the 19th century, interest in the instrument was spread across the United States and United Kingdom by traveling shows of the 19th-century minstrel show fad, followed by mass production and mail-order sales, including instructional books. The inexpensive or home-made banjo remained part of rural folk culture, but five-string and four-string banjos also became popular for home parlor music entertainment, college music clubs, and early 20th century jazz bands. By the early 20th century, the banjo was most frequently associated with folk, cowboy music, and country music. By mid-century it had come to be strongly associated with bluegrass. Eventually it began to be employed occasionally and sporadically in various kinds or other kinds of popular music. Some famous players of the banjo are Ralph Stanley and Earl Scruggs.
Historically, the banjo occupied a central place in Black American traditional music and rural folk culture before entering the mainstream via the minstrel shows of the 19th century.[3][4][5][6] Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso, mento and twoubadou.