Famously referred to by Larry Neal as the "aesthetic and spiritual sister of Black Power",[5] BAM applied these same political ideas to art and literature.[6] and artists found new inspiration in their African heritage as a way to present the black experience in America. Artists like Aaron Douglas, Hale Woodruff, and Meta Vaux Warrick Fuller pioneered the movement with a distinctly modernist aesthetic.[7] This style influenced the proliferation of African American art during the twentieth century.
The poet and playwright Amiri Baraka is widely recognized as the founder of BAM.[8] In 1965, he established the Black Arts Repertory Theatre School (BART/S) in Harlem.[9] Baraka's example inspired many others to create organizations across the United States.[4] While many of these organizations were short-lived, their work has had a lasting influence. Some still exist, including the National Black Theatre, founded by Barabara Ann Teer in Harlem, New York.
^Finkelman, Paul, ed. (2009). Encyclopedia of African American History. Vol. 1. Oxford: Oxford University Press. p. 187. ISBN9780195167795.
^ abBracey, John H.; Sanchez, Sonia; Smethurst, James Edward, eds. (2014). SOS-Calling All Black People : a Black Arts Movement Reader. University of Massachusetts Press. p. 7. ISBN9781625340306. OCLC960887586.
^Jeyifous, Abiodun (Winter 1974). "Black Critics on Black Theatre in America: An Introduction". The Drama Review. 18 (3): 34–45. doi:10.2307/1144922. JSTOR1144922.